A Cry for Survival (2007)

I often used photographs of myself in my early works. This meant I could freely choose the perspective and pose without having to worry about usage rights. At the time I was doing my technical vocational training and from afternoon to evening I created digital collages. Every two weeks I had a session with my therapist because of ADHD and at the time I was a student at Dieter Schiele's painting school, also about every two weeks. But he was never able to do anything with my collages and we mainly concentrated on realistic nature drawings on paper. However, I always liked to experiment and in the quick engagement with snippets of images, internal processes could be projected unhindered.

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