Hold my hand.

My first attempt at making something artistic out of resin.
A lot has gone wrong, but the result is ok. It's my left hand that I made a negative imprint of with dentist silicone. The rest is by accident, because the imprint was not perfect and partially leaky. So the resin itself became creative. 😅

It's a present for someone who is going through tough times.

That's how my painting looks now. I changed the title from "Terrarium Snake and Monarch Butterfly" to "Inside". That's an insssider.
❤️😉
It's almost complete. Later it gets a frame that represents a terrarium. Then, if sloth wills, it's finished.

This is supposed to show a sleeping ground sloth. It's fallen totally exhausted into a dream-filled sleep. It's already clear to me that a ground sloth hardly slept in such a position. This is called artistic freedom! I often sleep in similar position!😜


With their huge claws, these extinct representatives of the South American megafauna were able to dig impressive burrows. A particularly large burrow can be found, for example, in the Brazilian state of Rondonia. It consists of several tunnels with a total of 2,000 feet in length (around 600 meters) and was probably extended over several generations.

In the past, sloths were a very diverse group. There was even a semi-aquatic species in Peru that showed similarities to otters and beavers.

Some cryptozoologists think there may still be live ground sloths, somewhere in the Amazon. Basis for this assumption is a myth of the Carios, according to which a monster (the mapinguari) living in a cave on their tribal territory in the Brazilian rainforest. One may doubt and still dream. I suspect that only well-preserved remains were found in a cave (in fact, ancient fur remains have been discovered) and the rest was done with imagination.

The mysterious back of my painting. On the dark areas is a thicker color layer. Partly I dug into the layers with the brush, which then created these lines. As you can see, the snake consists of only a few layers of paint. Most of the layers I needed for the wood. You can't see the butterfly, because of the stretcher. The idea for the motif came to me during the painting. Originally I just wanted to paint my snake in a beautiful landscape. It's my first tempera and at the same time my first canvas painting ever.

I applied varnish to separate the tempera from the following oil colors. The tempera have given the painting its extreme radiance. Now I want more nuances, transitions and spatiality. I hope to achieve this by subtle overpainting with transparent oil paints. I'm curious if it works as imagined. Through the varnish cracks have become visible immediately. The painting already experienced some shocks since spring 2017. I'll try to hide those cracks a bit. Practice makes perfect, so I keep on learning by doing! But I definitely want to start soon with a new detailed painting and this one blocks me. It keeps me trapped, but basically I'm already happy with it and all the statements are already included. That's why I'll finish it now. It later gets a frame that represents a broken terrarium.

Tasmanian Tigers (2010, oil on paper)

Hardly any other animal has inspired my imagination as much as the Tasmanian tiger.
Other than their appearance suggests, they're more closely related to kangaroos than to wolves and tigers. They're considered extinct since 1936. I wish there's still a secret refuge somewhere.❤

This is one of three oil paintings I've done so far. Maybe even the first, but I don't remember that exactly.🙈 The painting doesn't exactly match this picture. I had to hire a spy to get a photo of it. It was a gift to a person I later broke with. So I had to work out the reflections before I could publish it.📸🕵

I've painted this picture for the last two days. It's pure fantasy. I just wanted to paint a beautiful landscape. In the sky hovers a cloud formation that reminds me of a huge condor. But you could also see a big hand moving across the sky (thx @liluchen945 for your inspiration!). Maybe this condor stands for a messenger, between imagination and reality? Aren't our hands exactly that? There is a way to the mountains, where the fog opens like a door. Maybe you have to cross the jungle and climb some mountains if you want to get to the clouds, where your imagination meets reality. The way is both, therefore only half represented. A giant would certainly make easy progress following this path. But only with imagination. Give the giant a chance! I call the painting "Open Door For Giants". The motive itself is about 10x7 cm, gouache on laid paper.

I just felt like changing the sky.

Confront your own villain! When I was a very young sloth, I liked to do nonsense. Criminal nonsense. I did things just to proof the concept. I was sentenced to work in a sculpture workshop. I found it very nice there and even came voluntarily, when it was no longer necessary. At the age of 19, I made this sculpture of aerated concrete and plaster there. I was inspired by a villain from one of my favorite anime series. The Cell Saga remains epic in the history of Dragonball. When I met one of the workshop leaders a few years ago, he told me that the sculpture is now in an advertising agency, inspiring creative minds.

It's not finished yet. Maybe never will.
I'm furry, so no need to hurry. I paint for over 2 years on the picture. Recently I sat for about 10 hours again. It's gouache tempera on canvas (20x20cm). It means a lot to me, because I always wanted to paint a very detailed picture. I haven't painted many pictures yet. A few, but without satisfying me. The title is "Terrarium Snake and Monarch Butterfly". It describes my self-image, along with hurdles and desires that shape me. Every now and then I show you the progress.